Angry Metal Guy<p><a href="https://www.angrymetalguy.com/eluveitie-anv-review/" rel="nofollow noopener noreferrer" target="_blank">Eluveitie – Ànv Review</a></p><p><i>By Twelve</i></p><p>Unlike a certain <span><strong>Angry Metal Overlord</strong></span>, I really liked <em>Origins. </em>Up to 2014, I had only a dim awareness of <strong>Eluveitie</strong>, save that they were a Swiss group that did not believe in keyboards. <em>Origins</em> was my gateway into folk metal, an album I found exciting and refreshing, and <strong>Eluveitie</strong>’s live show in support of it is still one of my top concert experiences. For over twenty years, <strong>Eluveitie</strong> has been a force in folk metal. Armed with many instruments and a metal core, they are now on their ninth full-length album, <em>Ànv</em>. What have these giants of the genre cooked up for us this time?</p><p>The hallmarks of <strong>Eluveitie</strong>’s sound are all present on <em>Ànv</em>: melodeath riffs from ye ole aughts, the violins, Chrigel Glanzmann’s shouts, and Fabienne Erni’s cleans—it’s the <strong>Eluveitie</strong> you love or love to hate, continuing their trajectory from <em>Helvetios</em> through <em>Origins</em> and up to <em><a href="https://www.angrymetalguy.com/eluveitie-ategnatos-review/" rel="nofollow noopener noreferrer" target="_blank">Antegnatos</a>. </em>As ever, the Swiss octet blends traditional Celtic folk, Gaulish themes, and modern metal into their music. “Aeon of the Crescent Moon” and “The Prodigal Ones” are instantly recognizable as <strong>Eluveitie</strong>, with fast-paced riffing, vocal duels, and Lea-Sophie Fischer’s violin, either keeping pace or layering in emotion. Another familiar hallmark is the use of folky interludes like “Memories of Innocence,” a jig with an eastern feel that gives Glazmann’s mandolin and whistles their moments to shine alongside Fischer’s lively fiddling.</p><p>It’s all familiar, and a touch predictable too—<em>Ànv</em> feels safe as <strong>Eluveitie</strong> albums go. It’s odd to remark that an album performed by an octet playing more than fifteen instruments between them is predictable, but if you’ve followed <strong>Eluveitie</strong> at all since <em>Evocation</em>, you know what to expect. “Premonition” is standard <strong>Eluveitie </strong>fare and could have easily fit on <em>Origins. </em>It features <strong>In Flames</strong>-esque riffs that are more texture than flavor, followed by a brief flute appearance and lively violin over the chorus. “The Harvest” follows a near-identical formula, but executes it more intensely, which makes it a stronger song; this time, one that would be at home on <em>Helvetios</em>. “Ànv” feels like an outtake from <em>Evocation II</em>—Erni’s singing is passionate, but the formless music makes it forgettable. In each case, you know what you’re in for before the song reaches the minute mark.</p><p></p><p>There are a few genuine surprises on <em>Ànv</em>, but I’m sad to say I dislike most of them. “Taranoías” is a hard-hitting beast of a song right up until the minute mark, when Erni takes over from Glazmann’s furious growls and performs what I keep thinking is the chorus to a different song. “All Is One” similarly sounds like it’s found its way to the wrong album. Here, <strong>Eluveitie</strong> perform their best <strong>Nightwish</strong> impression, reaching for emotional highs in a very clichéd fashion. In neither case is the decision bad in isolation, but both are tonally mismatched from the rest of <em>Ànv</em>. What’s particularly frustrating is that in both examples, Erni is the odd musician out, despite being a very strong singer, evidenced particularly by her terrific performance in “Awen.”</p><p>But the most surprising part of <em>Ànv</em> is that it doesn’t feel all that much like folk metal, especially when compared to past <strong>Eluveitie</strong> albums. Often, it feels like modern melodeath with a violin. The flutes and hurdy gurdy are produced so weakly as to slide under the radar in most songs. Much of the folk rests in the three metal-less interlude tracks, none of which feel essential. Instead, songs like “All Is One” suggest an interest in a poppier, more “modern” sound.<a href="https://www.angrymetalguy.com/eluveitie-anv-review/#fn-215404-1" rel="nofollow noopener noreferrer" target="_blank">1</a> In this sense, there is something akin to a division in <em>Ànv</em>, making for a disjointed listen of good songs (“The Harvest,” “Awen”), forgettable songs (“The Prodigal Ones,” “Aeon of the Crescent Moon”), folk tunes (“Anamcara,” “Memories of Innocence”), and “All Is One.”</p><p>I’ve been a fan of <strong>Eluveitie</strong> for some time—I know that authenticity is important to this band. And don’t get me wrong, <em>Ànv</em> is certainly folk metal and certainly <strong>Eluveitie</strong>. It is also inconsistent and signifies a direction that I hope <strong>Eluveitie</strong> are not set on. I’ve loved this band for the way it blends folk and metal music. Unfortunately, that makes it very difficult to feel much love for <em>Ànv</em>.</p><p></p> <p><strong>Rating:</strong> 2.5/5.0<br><strong>DR:</strong> 7 | <strong>Format Reviewed:</strong> 320 kb/s mp3<br><strong>Label:</strong> <a href="https://www.nuclearblast.com/" rel="nofollow noopener noreferrer" target="_blank">Nuclear Blast Records</a><br><strong>Websites:</strong> <a href="http://eluveitie.ch" rel="nofollow noopener noreferrer" target="_blank">eluveitie.ch</a> | <a href="http://facebook.com/eluveitie" rel="nofollow noopener noreferrer" target="_blank">facebook.com/eluveitie</a><br><strong>Releases Worldwide:</strong> April 25th, 2025</p><p></p><p><a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2-5/" target="_blank">#25</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/amaranthe/" target="_blank">#Amaranthe</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/amorphis/" target="_blank">#Amorphis</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/anv/" target="_blank">#Ànv</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/apr25/" target="_blank">#Apr25</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/arch-enemy/" target="_blank">#ArchEnemy</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/eluveitie/" target="_blank">#Eluveitie</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/epica/" target="_blank">#Epica</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/folk-metal/" target="_blank">#FolkMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/in-flames/" target="_blank">#InFlames</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/nightwish/" target="_blank">#Nightwish</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/nuclear-blast-records/" target="_blank">#NuclearBlastRecords</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/swiss-metal/" target="_blank">#SwissMetal</a></p>