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#chop

1 post1 participant0 posts today
Public
Nick Radcliffe

@atpfm @siracusa

Slightly (A few days) before the term “vibe coding”, Steve Yegge was using the term CHOP for chat-oriented programming. I think CHOP meant exactly what you are saying Vibe Coding perhaps doesn’t; or prescriptively wasn’t intended to.

Steve Yegge is at Sourcegraph, working on CODY these days, but has a storied history.
This video he did on CHOP is long but good.

youtube.com/watch?v=jpzv-_YQf6

They also reference this talk from Erik Meijer on CHOP

x.com/RealGeneKim/status/18332

#vibecoding
#CHOP
#ChatOrientedProgramming

YouTubeFULL VIDEO: Steve Yegge/Gene Kim: 2 Hour Pair Programming Session!By IT Revolution
Continued thread
Public
Luca Minudel

...

- a new normal of rapid innovation/change therefore complexity, unpredictabilities, uncertainties, and disorder

- a need for a new way of thinking about work, not frameworks

- the primary role played by the human element

- The value of lessons learned from leading-edge lightweight software & product development

AUTHOR NAMES YOU'D SUGGEST?

#Productivity
#Effectiveness
#ReinventingOrganisations
#PostTaylorism
#PostFordism
#ParadigmShift
#ComplexityThinking
#VibeCoding
#CHOP
#NOCODE

Continued thread
Public
Claudsch 💙💛

Tatsächlich gibt es in der Slowakei nämlich eine #Breitspur-Strecke. Sie führt von Haniska pri Košiciach nahe Košice auf 1520mm in die Ukraine. Dabei verläuft sie zu einem großen Teil entlang der Normalspurstrecke, mündet aber schließlich nicht in #Chop sondern in #Uzhgorod ins Netz der UZ.

Wir hatten damals keine Ahnung, ob auf der Strecke was fährt, geschweige denn wann. Aber Fotos in Bildergalerien von großen Škoda-Breitspurdoppelloks motivierten uns für die Tour ins Ungewisse. (2/7)

Streckennetzkarte (openrailwaymap.org) zeigt in dunkelrot den Verlauf der Breitspurstrecke in der Slowakei
Public
🇨🇦🇩🇪🇨🇳张殿李🇨🇳🇩🇪🇨🇦
So, I got a small collection of decorative signature chops today, made of brass. None of these (obviously) are signing my name. They are instead intended to decorate calligraphy, paintings, etc. I don't do calligraphy or painting, so why do I have them? Well, check the alt texts. One of these is already allocated for use.

The two more complicated chops (the larger, circular ones) I've sadly botched a little in the demonstration pressing. Normal chops using seal script are pretty easy to use (though there's a bit of finesse in applying them correctly). Decorative ones with pictorial elements are harder and take some practice and familiarity with the qualities of the paper you're using, etc. More details, as usual, in the alt text.

---

@zdl@mastodon.online @zdl@gamerplus.org

#刻章 #SignatureSeal #Chop #Chinese #龙图案 #DragonMotif
An overview shot of a book of kraft paper with the four chops laid out fanning away from a line of images the chops stamped on the paper. The chops are stained with cinnabar mud and the chop images stamped on the paper are the unique, inimitable brilliant red of that cinnabar mud.
This is a 1×1×3cm chop showing a little dragon illustration in a fairly old and primitive style. This is a pretty simple little chop and as such it's easiest to use while reliably having it form the image presented. I have already assigned this one to the task of stamping my books on a specific (secret) page to help prove that I own them. I've had roommates in the past steal books and then claim they actually owned them, so I started back then initialling my books on a secret page as counter-evidence. Later I used a signature chop, but at 2.5×2.5cm it was a bit overbearing. This one looks cool and is small enough to not overlap the text on any sane book layout. You'll see an example of this usage later in the photos.
This is a 1×2×6cm chop with a fancier, but still simple, dragon motif. It's also pretty simple to use reliably, getting the full image on most impressions. As you can see I got the detail about right in the demonstration pressing.
This is a 2×6cm circular chop with a coiled dragon motif that has some fine detail. Getting a good impression from it is hard. Press too hard and you blotch out details. Press too soft (like I did here) and you miss some detail. I'm further punished by having only a 3.5cm radius "cinnabar mud" container (depicted in a later photo) which makes it hard to get a good even coating of the cinnabar staining. I will be getting a good, 8cm container soon enough and will be trying again.
#dragonmotif
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