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Angry Metal Guy<a href="https://www.angrymetalguy.com/sylvanshine-the-offering-review/" rel="nofollow noopener noreferrer" target="_blank">Sylvanshine – The Offering Review</a>By KilljoyThe contrast of opposites is fundamentally important in art, and Sylvanshine is an apt name to illustrate this principle. As I just learned from <a href="https://en.wikipedia.org/wiki/Sylvanshine" rel="nofollow noopener noreferrer" target="_blank">Wikipedia</a>, “Sylvanshine is an optical phenomenon in which dew-covered foliage with wax-coated leaves retroreflect beams of light, as from a vehicle’s headlights. This effect sometimes makes trees appear snow-covered at night during summer.” Fittingly, Ion Ureche’s blackgaze project from Bucharest, Romania, deals with opposing themes, specifically “love and loss, hope and desperation.” Not exactly uncommon themes in blackgaze, but how clearly does Sylvanshine’s debut full-length album portray them?The Offering oscillates fluidly between the “black” and the “gaze” at a moment’s notice. Crystalline post-black tremolo riffs shimmer and dance to and fro, intertwined with distorted guitar chords and blast beats. The dreamier guitarwork is not unlike that of Alcest’s debut Souvenirs d’un Autre Monde, with plenty of Shelter-era influence also thrown in the mix. What sets Sylvanshine apart from many of its blackgaze peers is the heavy reliance on delicate acoustic guitar plucking and strumming in the vein of early Slowdive. There are three tracks entirely dedicated to this instrument, and it features prominently in the bridges of several others to counterbalance the moody aggression with an intimate touch.It’s clear that Ureche is a guitarist first and foremost.<a href="https://www.angrymetalguy.com/sylvanshine-the-offering-review/#fn-217187-1" rel="nofollow noopener noreferrer" target="_blank">1</a> The Offering’s crisp, clear, and poignant lead guitar lines are where the emotional duality alluded to in the promo material shines. The ringing, sorrowful melodies in “Cri de Coeur” and “Rebirth” grow more hopeful as the songs progress, like sunlight breaking through cloudy fissures. If the vocals were similarly expressive, Sylvanshine would be onto something special. They remind me of Sergio Catalán’s deep growls in Winds of Tragedy, but, unfortunately, with more croak than roar. At best, they sound flat (“The Moon and Stars Above,” “Cri de Coeur”) and, at worst, they clash with the guitars (“The Offering”). To his credit, Ureche plays to his strengths by allocating the majority—if not entirety—of each song to instrumental performances.However, this songwriting decision could have benefited from further refinement in execution. This is particularly true of the tracks that are solely instrumental. It would have been fine to start the album with one acoustic track (“Dirge for a Love”), but the placement of another (“Nothing Will Ever Be the Same”) immediately after the first proper song, “Cri de Coeur,” causes a major pacing stumble. The acoustic guitar bouquet “Reverie” that later follows is gorgeous, but repeats for too long and should have either been fleshed out or trimmed. By the time 5-minute closer “Rebirth” rolls around, instrumental fatigue has set in. Some of the other short songs, “Running from Myself” and “The Offering,” show promise but feel disjointed and underdeveloped. The latter briefly dips into gothic territory midway through, with darker riffs and a haunting organ which sounds slightly out of context here, but the style could fit Sylvanshine very well given more time and attention.Sylvanshine has all the makings of a young artist in the process of finding his voice, both figuratively and literally. Ion Ureche has a natural talent for composing and performing guitar melodies that mirror the ever-changing spectrum of human emotion. That said, further vocal training—or the addition of a more practiced vocalist—would do wonders for the project. He also has room to grow as a songwriter, and I get the sense that his skill ceiling is high. The Offering is a respectable debut album, but improvement in these main areas will help Sylvanshine to truly stand out amongst the crowd. Rating: 2.5/5.0 DR: 8 | Format Reviewed: PCM Label: Self-Release Websites: <a href="https://sylvanshine.bandcamp.com/" rel="nofollow noopener noreferrer" target="_blank">sylvanshine.bandcamp.com</a> | <a href="https://www.facebook.com/SylvanshineMusic" rel="nofollow noopener noreferrer" target="_blank">facebook.com/sylvanshineMusic</a> Releases Worldwide: May 23rd, 2025<a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2-5/" target="_blank">#25</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/alcest/" target="_blank">#Alcest</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/black-metal/" target="_blank">#BlackMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/blackgaze/" target="_blank">#Blackgaze</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/may25/" target="_blank">#May25</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/post-black-metal/" target="_blank">#PostBlackMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/romanian-metal/" target="_blank">#RomanianMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/self-release/" target="_blank">#SelfRelease</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/shoegaze-2/" target="_blank">#Shoegaze</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/slowdive/" target="_blank">#Slowdive</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/sylvanshine/" target="_blank">#Sylvanshine</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/the-offering/" target="_blank">#TheOffering</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/winds-of-tragedy/" target="_blank">#WindsOfTragedy</a>

Angry Metal Guy<a href="https://www.angrymetalguy.com/amgs-unsigned-band-rodeo-brazen-tongue-of-crackling-embers-and-sorrows-drowned/" rel="nofollow noopener noreferrer" target="_blank">AMG’s Unsigned Band Rodeö: Brazen Tongue – Of Crackling Embers and Sorrows Drowned</a>By Dolphin Whisperer“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.”What is distance but an imaginary barrier between creative minds. At least in our (over)connected modern times, proximity does not define whether minds of similar metal inclinations can interact as a band. Such is the story of Ethan Gifford and Scott Skopec (Headshrinker, ex-Polyptych), who both hustled many moons ago about Chicago with a band, Dycanis, that never quite made it beyond demo and gig grind. Gifford then moved to Sweden, and Skopec continued his musical pursuits until they too went dormant. But riffs find a way and Brazen Tongue is a result, the amalgamation of two minds who share ideas hat have tunes in the world of Gifford’s new Gothenburg home, as well as the rip and curl of American thrash (and whatever else crosses their fancy). Throughout Of Crackling Embers & Sorrows Drowned, you may hear the sullen growl of Rapture, the bright quirk of Old Man’s Child, the anthemic melting similar to an act like Black Sites. But most of all, you’ll hear the efforts of two friends who made it happen. Does it make it happen for our crack reviewing team, though? Of the opinions of cranky elitists and socialites dour, you will soon know. – Dolphin Whisperer<a href="https://www.facebook.com/brazentongue" rel="nofollow noopener noreferrer" target="_blank">Brazen Tongue</a> // <a href="https://brazentongue.bandcamp.com/music" rel="nofollow noopener noreferrer" target="_blank">Of Crackling Embers and Sorrows Drowned</a> [June 7th, 2024] Dr. A.N. Grier: It’s been a hot minute since I’ve contributed to a traditional Rodeö piece. So, I guess I’ll grab the debut record from international melodeath outfit Brazen Tongue. I mean, I like melodeath, so why not? Though it appears this band has been around since 2016, this year is the first time we’ve seen any output from this two-piece group. Perhaps they needed to hunt a bassist and drummer down to round out the release. I don’t know. Jumping right in, the back-to-back “The Weight of Self” and “Metaviral” kick-off Of Crackling Embers and Sorrows Drowned on a good note with some solid melodeath mood and riffage. The latter track, in particular, sees the band in its true light, delivering vocals that recall Lamb of God’s Randy Blythe and solid melodic moments on the back half. “Last Train from Myrdal” is one of the better tracks on the album as it delves deep into melodic territories, incorporating clean guitars and big, booming clean vocals. But, it avoids being one-dimensional with its alternating calmness and pissed-off attitude. What is one-dimensional is “Beneath the Broken Trees.” Only when the pace slows and the build begins does anything of value surface on the track. “The Recidivist” also suffers the same ailment, opening with an annoying introduction that finally gives way to a hard-hitting chug and powerful chorus mixed with clean and growling vocals. Unfortunately, the song has a tough time deciding when to end and drags on far too long for what it’s offering. But the closer, “The Maddening Symmetries,” is the most frustrating track on the album. Clocking in at over ten minutes, nothing sticks until we arrive at the seven-minute mark. After this point, the melodic feels hit, climbing high before ending in hopeless depression. There’s plenty to like on Of Crackling Embers and Sorrows Drowned, and there’s plenty of potential. The band’s debut isn’t perfect, but I’ll keep them on my “potential” list when their next release rolls around. 2.5/5.0Gardenstale: Brazen Tongue is a bit weird. Much of Embers and Sorrows is so frantically kitchen-sink, I’m reminded primarily of The Offering with Insomniummy growls. That’s not necessarily a bad thing: I loved Home, and when Brazen Tongue hits, it hits with a similar spark of inspiration, as opening combo “The Weight of Self” and “Metaviral” can attest. The riffs are never quite what you expect, pressing the dynamic quality of the performers who excel at keeping you on the wrong foot. The problem for Brazen Tongue is not a lack of inspiration, but guiding it consistently into great form. The Zornheym-esque bass choirs are a cool addition, but they are used haphazardly. Emotive doom centerpiece “Last Train from Myrdal” gets more unpleasant as it goes on, adding repetition and draining the album of energy, culminating in an aggravating fire alarm riff and a sudden unceremonious end. The band tries to get things back on the rails, but the epic closer swerves through its bloated runtime without frame or direction. Brazen Tongue is full of great performances and interesting ideas, which are most effective on short, fast songs where the band can skip over the bumps, but the longer and slower tracks invariably spiral out of control or get mired in their own ideas. A songwriting class or two would do wonders. 2.5/5.0Thus Spoke: When I hitched myself to Brazen Tongue, I’m not sure exactly what I expected; after all, according to another staff member, I “don’t even know what melodeath is.” Nonetheless, my vague anticipations were more or less on the money. Twin guitar, energetic riff clamberings, generally mid-tempo, upbeat-feeling charges, a barking sort of vocal approach. Sprinkles of melancholy in the refrains but only to precipitate a turn to more uplifting, or alternately more sinister spidery stop-starting (“The Recidivist”) or chugging. Plus, a slower, doomier track with layered, softly cascading guitars that you can immediately imagine playing over a crossfade-filled montage from a 90s movie (“Last Train from Myrdal”). If this sounds incredibly vague, and non-committal, it’s because that’s exactly how Of Crackling Embers and Sorrows Drowned comes across. Perfectly serviceable, with some great moments, but totally unmemorable. Across its duration, there are examples of brilliant, energetic axe work and righteous riffery (“Metaviral,” “Beneath the Broken Trees”), and at points, resonant feelings of pathos (yes, even in “Last Train,” which I initially despised). But there are no moments that break the surface of the soundscape’s quite monotone harmonic themes and compositional patterns. No point at which—regardless of how much sound and fury the band apparently exude (“Walking the Parapets,” “The Maddening Symmetries”)—the music elicits anything more than a “yeah, it’s cool I guess.” It’s a no from me. But what do I know about melodeath anyway? Disappointing.Iceberg: Of Crackling Embers and Sorrows Drowned is clearly a passion project for Scott Kopec and Ethan Gifford, because logistically, producing the debut album for Brazen Tongue sounds like a complete nightmare. The main duo live seven time zones apart, all composition was done via cloud-sharing, and every instrument was tracked in its own session. This hasn’t dulled the band’s compositional abilities however; there is a glut of quality material on this album. A blend of blackened thrash and Gothenburg melodeath—with shadows of Lamb of God groove metal thrown in there—OCE&SD is an in-your-face drag racer of riffs that rarely lets off the gas. The highlight here is the creative combination of guitar riffs and leads with contrasting rhythmic underpinning; see the openings of “Walking the Parapets” and “The Recidivist.” Album standout—proper Gothenburg sadboi “Last Train From Myrdal”—shows the band knows how to blend punishing atmosphere with resplendent orchestrals, even if it runs a bit overlong. And that seems to be Brazen Tongue’s Achilles’ heel; most every song here desperately needs trimming, and the overuse of individual segments is a chronic issue. Ten-minute closer “The Maddening Symmetries” is brimming with varied, epic, blackened material, but wore this listener’s ears out well before its conclusion. One can’t help but wonder if the geographical separation of Brazen Tongue played a part in the fine-tuning issues, but I hope the band keeps at it and watches their margins more closely; the potential here is vast. 2.5/5.0<a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2024/" target="_blank">#2024</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/american-metal/" target="_blank">#AmericanMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/angry-metal-guys-unsigned-band-rodeo/" target="_blank">#AngryMetalGuySUnsignedBandRodeo</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/angry-metal-guys-unsigned-band-rodeo-2024/" target="_blank">#AngryMetalGuySUnsignedBandRodeo2024</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/black-sites/" target="_blank">#BlackSites</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/brazen-tongue/" target="_blank">#BrazenTongue</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/headshrinker/" target="_blank">#Headshrinker</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/independent-release/" target="_blank">#IndependentRelease</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/insomnium/" target="_blank">#Insomnium</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/jun24/" target="_blank">#Jun24</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/lamb-of-god/" target="_blank">#LambOfGod</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/melodic-death-metal/" target="_blank">#MelodicDeathMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/old-mans-child/" target="_blank">#OldManSChild</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/rapture/" target="_blank">#Rapture</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/self-release/" target="_blank">#SelfRelease</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/the-offering/" target="_blank">#TheOffering</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/thrash-metal/" target="_blank">#ThrashMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/zornheym/" target="_blank">#Zornheym</a>

Dave D⭐½ <a href="https://mastodon.social/tags/TheOffering" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#TheOffering</a> (2022) on <a href="https://mastodon.social/tags/Letterboxd" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Letterboxd</a>: <a href="https://boxd.it/A5Em" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://boxd.it/A5Em</a> <a href="https://mastodon.social/tags/PrimeVideo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#PrimeVideo</a>

SheepchaseEnjoyed that. wasn’t great but I don’t care, I still gave it four stars. <a class="hashtag" href="https://chai.kibbutz.gay/tag/movies" rel="nofollow noopener noreferrer" target="_blank">#Movies</a> <a class="hashtag" href="https://chai.kibbutz.gay/tag/horror" rel="nofollow noopener noreferrer" target="_blank">#Horror</a> <a class="hashtag" href="https://chai.kibbutz.gay/tag/letterboxd" rel="nofollow noopener noreferrer" target="_blank">#Letterboxd</a> <a class="hashtag" href="https://chai.kibbutz.gay/tag/theoffering" rel="nofollow noopener noreferrer" target="_blank">#TheOffering</a> <a href="https://boxd.it/58ps6t" rel="nofollow noopener noreferrer" target="_blank">https://boxd.it/58ps6t</a>

Yonomeaburro ✅<a href="https://mastodon.world/tags/yonomeaburroestrenos" class="mention hashtag" rel="tag">#yonomeaburroestrenos</a> Los <a href="https://mastodon.world/tags/estrenos" class="mention hashtag" rel="tag">#estrenos</a> para hoy lunes 11 en plataformas <a href="https://mastodon.world/tags/streaming" class="mention hashtag" rel="tag">#streaming</a> <a href="https://mastodon.world/tags/TheWalkingDeadDarylDixon" class="mention hashtag" rel="tag">#TheWalkingDeadDarylDixon</a> <a href="https://mastodon.world/tags/MiracleWorkers" class="mention hashtag" rel="tag">#MiracleWorkers</a> <a href="https://mastodon.world/tags/TheOffering" class="mention hashtag" rel="tag">#TheOffering</a> <a href="https://mastodon.world/tags/movistar" class="mention hashtag" rel="tag">#movistar</a> <a href="https://mastodon.world/tags/amc" class="mention hashtag" rel="tag">#amc</a> <a href="https://mastodon.world/tags/paramount" class="mention hashtag" rel="tag">#paramount</a> <a href="https://mastodon.world/tags/warnertv" class="mention hashtag" rel="tag">#warnertv</a> Calendario completo: <a href="https://www.yonomeaburro.net/p/calendario-series-2012.html" target="_blank" rel="nofollow noopener noreferrer" translate="no">https://www.yonomeaburro.net/p/calendario-series-2012.html</a>

Yonomeaburro ✅<a href="https://mastodon.world/tags/yonomeaburroestrenos" class="mention hashtag" rel="tag">#yonomeaburroestrenos</a> Películas, series y documentales que se estrenan en septiembre en <a href="https://mastodon.world/tags/Movistar" class="mention hashtag" rel="tag">#Movistar</a> <a href="https://mastodon.world/tags/Tar" class="mention hashtag" rel="tag">#Tar</a> con Cate Blanchett <a href="https://mastodon.world/tags/LosFabelman" class="mention hashtag" rel="tag">#LosFabelman</a> de <a href="https://mastodon.world/tags/StevenSpielberg" class="mention hashtag" rel="tag">#StevenSpielberg</a> <a href="https://mastodon.world/tags/Elvis" class="mention hashtag" rel="tag">#Elvis</a> <a href="https://mastodon.world/tags/TheQuietGirl" class="mention hashtag" rel="tag">#TheQuietGirl</a> <a href="https://mastodon.world/tags/TheOffering" class="mention hashtag" rel="tag">#TheOffering</a> Los tres mosqueteros <a href="https://mastodon.world/tags/Filip" class="mention hashtag" rel="tag">#Filip</a> El poder del dinero con Brian Cox El piloto, con <a href="https://mastodon.world/tags/GerardButler" class="mention hashtag" rel="tag">#GerardButler</a> Documentales sobre <a href="https://mastodon.world/tags/Abba" class="mention hashtag" rel="tag">#Abba</a> La Mostra de Venecia <a href="https://mastodon.world/tags/DuranDuran" class="mention hashtag" rel="tag">#DuranDuran</a> <a href="https://mastodon.world/tags/SamSmith" class="mention hashtag" rel="tag">#SamSmith</a> <a href="https://mastodon.world/tags/VetustaMorla" class="mention hashtag" rel="tag">#VetustaMorla</a> <a href="https://mastodon.world/tags/PinkFloyd" class="mention hashtag" rel="tag">#PinkFloyd</a> <a href="https://mastodon.world/tags/PussyRiot" class="mention hashtag" rel="tag">#PussyRiot</a> <a href="https://mastodon.world/tags/KathrynBigelow" class="mention hashtag" rel="tag">#KathrynBigelow</a> y másTodos los <a href="https://mastodon.world/tags/estrenos" class="mention hashtag" rel="tag">#estrenos</a> aquí <a href="https://www.yonomeaburro.net/p/calendario-series-2012.html" target="_blank" rel="nofollow noopener noreferrer" translate="no">https://www.yonomeaburro.net/p/calendario-series-2012.html</a>

Well_Worth_A_ReadI watched this one last night, it wasn't bad. If you like religious horror and demons give this one a try. <a href="https://social.horrorhub.club/tags/TheOffering" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#TheOffering</a> <a href="https://social.horrorhub.club/tags/hulu" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#hulu</a> <a href="https://social.horrorhub.club/tags/horrormovies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#horrormovies</a> <a href="https://social.horrorhub.club/tags/horrorfam" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#horrorfam</a>

Yonomeaburro ✅<a href="https://mastodon.world/tags/Opinion" class="mention hashtag" rel="tag">#Opinion</a> de varias películas <a href="https://mastodon.world/tags/yonomeaburroreview" class="mention hashtag" rel="tag">#yonomeaburroreview</a> <a href="https://mastodon.world/tags/LaChicaDeLaNieve" class="mention hashtag" rel="tag">#LaChicaDeLaNieve</a> en <a href="https://mastodon.world/tags/Netfix" class="mention hashtag" rel="tag">#Netfix</a> <a href="https://mastodon.world/tags/GenteComoVosotros" class="mention hashtag" rel="tag">#GenteComoVosotros</a> <a href="https://mastodon.world/tags/TheOffering" class="mention hashtag" rel="tag">#TheOffering</a> <a href="https://mastodon.world/tags/LasDosVidasdeAudreyRose" class="mention hashtag" rel="tag">#LasDosVidasdeAudreyRose</a><a href="https://www.yonomeaburro.net/2023/01/opinion-chica-de-nieve-gente-como-vosotros-netflix-offering-dos-vidas-audrey-rose.html" target="_blank" rel="nofollow noopener noreferrer" translate="no">https://www.yonomeaburro.net/2023/01/opinion-chica-de-nieve-gente-como-vosotros-netflix-offering-dos-vidas-audrey-rose.html</a>

sufganiyot fox ✡️while the design of the sheyda was very creepy and interesting, I do have questions. I distinctly remember that sheydim leave footprints like a chicken walking backward? I can't remember all the other descriptions that <a href="https://babka.social/tags/ThrowingSheyd" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ThrowingSheyd</a> mentioned, but I do remember that oneanyway, I don't want to spoil the movie for anyone, so, if you can tolerate horror, you should watch <a href="https://babka.social/tags/TheOffering" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#TheOffering</a>. it was good! and scary!!!

sufganiyot fox ✡️welp, I finally watched <a href="https://babka.social/tags/TheOffering" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#TheOffering</a>so, I don't consume a lot of <a href="https://babka.social/tags/horror" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#horror</a>. I may regret starting it around midnight, not bc I'm worried about nightmares (I don't remember my dreams), but bc my heart rate isn't going to slow for the next two hours 😅honestly though, it was good. I could have done with fewer jump scares (Link might have stayed on my lap), but it was really nice seeing <a href="https://babka.social/tags/Jewish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Jewish</a> symbolism and hearing Hebrew prayers<a href="https://babka.social/tags/JewishHorror" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#JewishHorror</a>

No es cine todo lo que reluce<a href="https://mastodon.world/tags/TheOffering" class="mention hashtag" rel="tag">#TheOffering</a> es una película de terror con un buen punto de partida una ambientación impresionante que entretendrá a los amantes del género, aunque le hubiera sentado bien sugerir más y mostrar menos. Ya en cines.Crítica de Laura Zurita: <a href="https://noescinetodoloquereluce.com/2023/01/critica-review-the-offering-pelicula.html" target="_blank" rel="nofollow noopener noreferrer" translate="no">https://noescinetodoloquereluce.com/2023/01/critica-review-the-offering-pelicula.html</a>

Juan BautyPosiblemente, la banda sonora más terrorífica de los últimos veinte o treinta años. <a href="https://masto.es/tags/TheOffering" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#TheOffering</a>

Mr. Tengu 👺The Offering (2023) ★★★★★★☆☆☆☆ <a href="https://trakt.tv/movies/the-offering-2023" rel="nofollow noopener noreferrer" target="_blank">https://trakt.tv/movies/the-offering-2023</a> <a href="https://mstdn.social/tags/TheOffering" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#TheOffering</a> <a href="https://mstdn.social/tags/trakt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#trakt</a>

No es cine todo lo que reluce¡Es viernes y llegan los estrenos de cine de la semana!<a href="https://mastodon.world/tags/DevotionUnaHistoriaDeHeroes" class="mention hashtag" rel="tag">#DevotionUnaHistoriaDeHeroes</a> <a href="https://mastodon.world/tags/ElChicoLe%C3%B3n" class="mention hashtag" rel="tag">#ElChicoLeón</a> <a href="https://mastodon.world/tags/KompromatElExpedienteRuso" class="mention hashtag" rel="tag">#KompromatElExpedienteRuso</a> <a href="https://mastodon.world/tags/LaBallena" class="mention hashtag" rel="tag">#LaBallena</a> (<a href="https://mastodon.world/tags/TheWhale" class="mention hashtag" rel="tag">#TheWhale</a>) <a href="https://mastodon.world/tags/LaVidaSinT%C3%AD" class="mention hashtag" rel="tag">#LaVidaSinTí</a> <a href="https://mastodon.world/tags/LoboFerozLaPel%C3%ADcula" class="mention hashtag" rel="tag">#LoboFerozLaPelícula</a> <a href="https://mastodon.world/tags/Mikado" class="mention hashtag" rel="tag">#Mikado</a> <a href="https://mastodon.world/tags/Pathaan" class="mention hashtag" rel="tag">#Pathaan</a> <a href="https://mastodon.world/tags/RegresoARaqqa" class="mention hashtag" rel="tag">#RegresoARaqqa</a> <a href="https://mastodon.world/tags/T%C3%81R" class="mention hashtag" rel="tag">#TÁR</a> <a href="https://mastodon.world/tags/TheOffering" class="mention hashtag" rel="tag">#TheOffering</a> <a href="https://mastodon.world/tags/YukuYLaFlorDelHimalaya" class="mention hashtag" rel="tag">#YukuYLaFlorDelHimalaya</a><a href="https://noescinetodoloquereluce.com/2023/01/estrenos-cine-27-enero-2023.htm" target="_blank" rel="nofollow noopener noreferrer" translate="no">https://noescinetodoloquereluce.com/2023/01/estrenos-cine-27-enero-2023.htm</a>

No es cine todo lo que reluceYa podemos disfrutar del tráiler oficial y el póster de <a href="https://mastodon.world/tags/TheOffering" class="mention hashtag" rel="tag">#TheOffering</a>, película de terror basada en la demonología judía y ambientada en el mundo jasídico que se estrenará el próximo 27 de enero<a href="https://noescinetodoloquereluce.com/2022/12/trailer-y-poster-the-offering.html" target="_blank" rel="nofollow noopener noreferrer" translate="no">https://noescinetodoloquereluce.com/2022/12/trailer-y-poster-the-offering.html</a>

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