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#johnford

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Six Grandfathers Mountain

@TheConversationUS
RE
Can studying art make you a better lawyer? A professor shares how this #UniversityofMichigan law class uses #museum visits...

Can studying art make you a better _______________ (anything here is ok)

"So what do you know about art, kid?
When the horizon is....."

That's funny, but really, art can help students in #lawschool ? Maybe

#JohnFord Scene played by #DavidLynch in the 2022 movie #TheFabelmans directed by #StevenSpielberg

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Alberto Corona

Pepe Hernández y Alberto Frutos tienen un podcast graciosísimo, DOS HOMBRES TRANQUILOS, donde analizan las combinaciones de pelis más estrafalarias del mundo.

He tenido el honor de que me inviten a su último episodio, donde propongo PONTE EN MI LUGAR de Disney y ellos me proponen EL ÚLTIMO HURRA de John Ford.

Dos horas de conversación agradabilísima e imprevisible, no os lo perdáis!

ivoox.com/gente-tranquila-03-a

open.spotify.com/episode/4hR4I

#Cine#CineClásico#Disney
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Rob Christopher

3 things about John Ford’s THE MAN WHO SHOT LIBERTY VALANCE [1962]

1. He grabs the steak from off the floor and mashes it down on the table. Possible influence on YOUNG FRANKENSTEIN? (“There, I’ve touched it. Happy now?”)
2. Train timetable blackboard in the “schoolroom.”
3. A patch of blooming cacti at the burned-out house.

The black-and-white image portrays three men inside a room, possibly from a film or historical reenactment. The man on the left is dressed in a suit with a bow tie and is looking down at a table in front of him. The center man is wearing a dark vest over a light shirt, a leather gun belt with bullets, and a hat. He is in a defensive stance with his fists on his hips. The right man, with his back to the camera, wears a light-colored wide-brimmed hat and a dark shirt tucked into his trousers, also equipped with a gun belt. Behind them, the wall displays a sign with visible text. The room has several wooden chairs and a staircase in the background.
#3things#johnford#westerns
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Dr. Dani Sanchez

We have a few of my great grandfather’s scripts for “Two Rode Together”. The script went through many rewrites by John Ford’s frequent screenwriter Frank S. Nugentand and instead of throwing away the scripts like he was supposed to, my bisabuelo, who was also a regular location scout/background actor/extra/stunt rider in Texas & Mexico based Ford productions, kept them.
#WestWed #TwoRodeTogether #JohnFord

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