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#livecodera

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The ENG translation of the article [Cicla Por Segundo / Cycles Per Second: livecoderA Praxis And Reflections] I wrote for Sonic Ideas #28 (a publication of the Mexican Centre for Music and Sonic Arts / CMMAS) is now ready! This article is a review (from a gender perspective) of a series of talks I producted + hosted for CMM (Multimedia Center) centered on live coding since its first practices in Mexico to the rhizomatic connections to the rest of Latin America.

laurabalboa.com/ciclaxsec-live

#livecoding #latinamerica 💞💻 #livecodera

laurabalboa.comLaura BalboaI'm a Zapotec autonomous researcher and interaction designer who investigates on experimental sound and music production related to Mexico. Via Bulla Radio in Radio Nopal, I share the work of female, trans, queer and non-binary sound producers, musicians and composers for an anticolonial participatory activist documentation.

>>A LivecoderA is a woman* who arrived to code to use it as a weapon, a song, a dress. Looking to society, she decided to create a different possible future for it through its most potent element: culture.
I care about eating, doing art, fucking, sleeping and coding.
A LivecoderA, with some or a very few privileges, made a life route through patriarchal hostility. This LivecoderA is fully aware. Each space gained is an opportunity to subvert logic, to weave ties, to implant love.
A LivecoderA is a code worker (which is never neutral) who has to fight for her rigths on several spaces. Daily she faces different types of gender violence (symbolic, psychological, economical, physical, sexual), but she debates them in order to mend it collectively.<<

tatwerk-berlin.de/en/projects/

tatwerk-berlin.deLivecoderACurrent projects and cooperations of TATWERK