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#embroidery

46 posts43 participants1 post today

I did this embroidery ages ago but only washed the stabiliser off last night (so that was the first time I could see if it turned out OK). Relieved it turned out well! If you look at the close-up you can see there are a few places where my “doing in the ends” came through to the good side by mistake, but I’m not too bothered by that.

The fabric is a viscose/cotton mix bought from Cloth House, the thread is silk floss from Pipers Silks, and the embroidery pattern is lace stitch from the RSN Stitchbank.

clothhouse.com/
pipers-silks.com/floss-silk/li
rsnstitchbank.org/stitch/lace-

I call this “fake blackwork” because the stitch pattern is a blackwork pattern but I’ve done it on a grid that curves around the neckline, whereas (as far as I know) real blackwork is always done on a strictly square grid. I made the curved grid in Inkscape using two techniques: repeated “inset” of the neckline path for the curved lines, and then “pattern along path” using a repeated straight line segment for the spokes. I printed the grid onto soluble stabiliser and then stitched over it.

@bammerlaan@pixey.org @sewing Further process pictures of the thrilling development of this #sashiko patch pocket. Doing this on the train to and from a Groningen concert turned out to be a good activity.

The back of #hitomezashi sashiko is supposed to look as neat as the front, with the excess thread tucked between two layers of fabric. I don't have two layers of fabric, but you'll only see the front, anyway. So 🤷

Continued thread

@raphael
I guess the closed contours of an SVG font is normal. I thought again about the process of Relief Single Line font where they make a simple search/replace to reopen the contours. → <github.com/isdat-type/Relief-S>

I added this search/replace in the script. Now we can have proper stroke fonts for #Hershey text in @inkscape for #plotter or #embroidery. :)

I will stop spamming here and get back to "real work".

Here it is, with the rough idea of a plan to move forward with after ripping out the surface weaving on the bottom quadrant of the X.

I just started the first of 6 lengths of gold work down in the lower right corner (it goes up diagonally to the top left). Placing that first row against the French knots is delicate and tedious, a task most suited to the morning for me. I tend to lose momentum late in the day, particularly when I wake up at 4am like today. 😬

A birthday present I got. I wanted a stencil for #sashiko. (I'm bad at drawing grids, especially on fabric.) This was what I got—the local sewing shop apparently recommended it.

You use a hot needle to poke holes into the plastic, then I pinned it to my fabric and used a heat-erase pen to draw dots. I started out going row by row but then thought of a different strategy, as I'm connecting the dots with a ruler, anyway.

Promising results, so far! Though the hot needle poking part was a bit tedious.

#sewing #diy #visiblemending #embroidery @sewing@a.gup.pe

Happy to finally reveal one of the official product picture for my upcoming magnets! 🪲

Before releasing them, I will create listings with 0 stock, that way if you want one (or several) you can activate the notification, this will give me an idea of how many to make for the release! ✨
Hoping to have them ready by the end of April at the latest~

#handmade#beetle#cute

I'm busily prepping for my next show which is @peakdistrictartisans #SpringArtFair 12/13 April in Buxton. I will have new work and prints avaialble which will include a number of small #AffordableArt pieces. This is part of last years collaboration project with dark room printer Natasha Braithwaite. An experimental study of stitch on her #cyanotype - I've finally framed it!
@fibrearts
@textilearts
@embroidery